https://davidrueter.com 2025-01-15T22:33:51.859Z https://davidrueter.com/about 2025-01-15T22:33:51.859Z https://davidrueter.com/titles/the-kuramoto-model/ 2012-06-01T00:00:00.000Z https://davidrueter.com/titles/the-kuramoto-model/kuramoto-vid/poster.jpg The Kuramoto Model, 2019 David Rueter, The Kuramoto Model, 2019, Installation https://davidrueter.com/titles/the-kuramoto-model/kuramoto-vid/master.m3u8 https://davidrueter.com/img/titles/the-kuramoto-model/1kff-lights16x9-hi-1200w.jpeg The Kuramoto Model, 2019 David Rueter, The Kuramoto Model, 2019, Installation https://davidrueter.com/img/titles/the-kuramoto-model/1kff-ride-1920w.jpeg The Kuramoto Model, 2019 David Rueter, The Kuramoto Model, 2019, Installation https://davidrueter.com/titles/drift/ 2013-05-01T00:00:00.000Z https://davidrueter.com/img/titles/drift/drift-install-1920w.jpeg , https://davidrueter.com/img/titles/drift/drift-launch-hi-1920w.jpeg , https://davidrueter.com/titles/mobile-vacation/ 2014-02-01T00:00:00.000Z https://davidrueter.com/titles/walk-talk/ 2014-02-01T00:00:00.000Z https://davidrueter.com/titles/barbed-wire-fence-telephone/ 2014-09-01T00:00:00.000Z https://davidrueter.com/img/titles/barbed-wire-fence-telephone/barbed-wire-fence-telephone-1920w.jpeg Barbed Wire Fence Telephone, 2014 Phil Peters and David Rueter, Barbed Wire Fence Telephone, 2014, Wood, barbed wire, telephones, batteries, electrical wire https://davidrueter.com/img/titles/barbed-wire-fence-telephone/_MG_3331-3000w.jpeg Barbed Wire Fence Telephone, 2014 Phil Peters and David Rueter, Barbed Wire Fence Telephone, 2014, Wood, barbed wire, telephones, batteries, electrical wire https://davidrueter.com/img/titles/barbed-wire-fence-telephone/_MG_3178-1920w.jpeg Barbed Wire Fence Telephone, 2014 Phil Peters and David Rueter, Barbed Wire Fence Telephone, 2014, Wood, barbed wire, telephones, batteries, electrical wire https://davidrueter.com/titles/i-can-only-see-shadows/ 2016-09-01T00:00:00.000Z https://davidrueter.com/titles/i-can-only-see-shadows/icoss-excerpt-hls/poster.jpg I Can Only See Shadows, 2016 Marissa Lee Benedict and David Rueter, I Can Only See Shadows, 2016, Three-channel video https://davidrueter.com/titles/i-can-only-see-shadows/icoss-excerpt-hls/master.m3u8 https://davidrueter.com/img/titles/i-can-only-see-shadows/Petcoke-Installation-16-3000w.jpeg I Can Only See Shadows, 2016 Marissa Lee Benedict and David Rueter, I Can Only See Shadows, 2016, Three-channel video https://davidrueter.com/img/titles/i-can-only-see-shadows/Petcoke-Installation-18-3000w.jpeg I Can Only See Shadows, 2016 Marissa Lee Benedict and David Rueter, I Can Only See Shadows, 2016, Three-channel video https://davidrueter.com/titles/gary-lights-open-works/ 2018-01-01T00:00:00.000Z https://davidrueter.com/img/titles/gary-lights-open-works/Gary-court-3000w.jpeg Gary Lights Open Works, 2018 Marissa Lee Benedict and David Rueter, Gary Lights Open Works, 2018, Installation https://davidrueter.com/img/titles/gary-lights-open-works/gary-lift-exposure-corr-1200w.jpeg Gary Lights Open Works, 2018 Marissa Lee Benedict and David Rueter, Gary Lights Open Works, 2018, Installation https://davidrueter.com/titles/dark-fiber/ 2018-05-01T00:00:00.000Z https://davidrueter.com/titles/dark-fiber/darkfiber-hls/poster.jpg Dark Fiber, 2015-2018 Marissa Lee Benedict and David Rueter, Dark Fiber, 2015-2018, Site-adapted single-channel video installation https://davidrueter.com/titles/dark-fiber/darkfiber-hls/master.m3u8 https://davidrueter.com/img/titles/dark-fiber/Dark_Fiber-Venice-1920w.jpeg Dark Fiber, 2015-2018 Marissa Lee Benedict and David Rueter, Dark Fiber, 2015-2018, Site-adapted single-channel video installation https://davidrueter.com/img/titles/dark-fiber/Dark_Fiber-Benedict_Rueter-Dark%20Fiber-still-bridge-1920w.jpeg Dark Fiber, 2015-2018 Marissa Lee Benedict and David Rueter, Dark Fiber, 2015-2018, Site-adapted single-channel video installation https://davidrueter.com/img/titles/dark-fiber/Dark_Fiber-IMG_7031-1920w.jpeg Dark Fiber, 2015-2018 Marissa Lee Benedict and David Rueter, Dark Fiber, 2015-2018, Site-adapted single-channel video installation https://davidrueter.com/img/titles/dark-fiber/Dark_Fiber-brussels-3000w.jpeg Dark Fiber, 2015-2018 Marissa Lee Benedict and David Rueter, Dark Fiber, 2015-2018, Site-adapted single-channel video installation https://davidrueter.com/img/titles/dark-fiber/Dark_Fiber-Brussels%20Venice.00_08_59_17.Still005-1920w.jpeg Dark Fiber, 2015-2018 Marissa Lee Benedict and David Rueter, Dark Fiber, 2015-2018, Site-adapted single-channel video installation https://davidrueter.com/img/titles/dark-fiber/Dark_Fiber-Tijuana-1920w.jpeg Dark Fiber, 2015-2018 Marissa Lee Benedict and David Rueter, Dark Fiber, 2015-2018, Site-adapted single-channel video installation https://davidrueter.com/titles/water-bottles/ 2018-09-01T00:00:00.000Z https://davidrueter.com/img/titles/water-bottles/water-bottles-1920w.jpeg Untitled (water bottles), 2018 Marissa Lee Benedict and David Rueter, Untitled (water bottles), 2018, Blow-molded PET plastic https://davidrueter.com/titles/department-of-water-and-power/ 2019-03-01T00:00:00.000Z https://davidrueter.com/titles/department-of-water-and-power/dwp-vid/poster.jpg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/titles/department-of-water-and-power/dwp-vid/master.m3u8 https://davidrueter.com/img/titles/department-of-water-and-power/_DSC4024-2.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC3776.tif-1920w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC3797.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC3804.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC4005.tif-1920w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC3814.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC3906.tif-1920w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/DWP-lower.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/screen.tif-600w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/DWP-upper.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC3941-d.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC3984.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC4048-rotated2%400%2C33x-1920w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/img/titles/department-of-water-and-power/_DSC4027.tif-3000w.jpeg Department of Water and Power, 2019 Marissa Lee Benedict and David Rueter, Department of Water and Power, 2019, Installation https://davidrueter.com/titles/repose/ 2020-06-01T00:00:00.000Z https://davidrueter.com/titles/repose/repose-hls/poster.jpg Repose, 2020 Marissa Lee Benedict, Daniel de Paula, and David Rueter, Repose, 2020, Wood, steel, insulation foam https://davidrueter.com/titles/repose/repose-hls/master.m3u8 https://davidrueter.com/img/titles/repose/repose_DSC4441-3000w.jpeg Repose, 2020 Marissa Lee Benedict, Daniel de Paula, and David Rueter, Repose, 2020, Wood, steel, insulation foam https://davidrueter.com/img/titles/repose/repose-screensaver1-3000w.jpeg Repose, 2020 Marissa Lee Benedict, Daniel de Paula, and David Rueter, Repose, 2020, Wood, steel, insulation foam https://davidrueter.com/img/titles/repose/repose_DSC4520-3000w.jpeg Repose, 2020 Marissa Lee Benedict, Daniel de Paula, and David Rueter, Repose, 2020, Wood, steel, insulation foam https://davidrueter.com/img/titles/repose/repose_DSC4590-3000w.jpeg Repose, 2020 Marissa Lee Benedict, Daniel de Paula, and David Rueter, Repose, 2020, Wood, steel, insulation foam https://davidrueter.com/img/titles/repose/repose_DSC4619-3000w.jpeg Repose, 2020 Marissa Lee Benedict, Daniel de Paula, and David Rueter, Repose, 2020, Wood, steel, insulation foam https://davidrueter.com/img/titles/repose/repose-animation-1200w.jpeg Repose, 2020 Marissa Lee Benedict, Daniel de Paula, and David Rueter, Repose, 2020, Wood, steel, insulation foam https://davidrueter.com/img/titles/repose/repose-deposition-1200w.jpeg Repose, 2020 Marissa Lee Benedict, Daniel de Paula, and David Rueter, Repose, 2020, Wood, steel, insulation foam https://davidrueter.com/titles/a-line-a-mollusk/ 2021-01-01T00:00:00.000Z https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4841-3000w.jpeg Concentric Garages, 2021 Marissa Lee Benedict and David Rueter, Concentric Garages, 2021, Pen on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4633-1920w.jpeg Concentric Garages, 2021 Marissa Lee Benedict and David Rueter, Concentric Garages, 2021, Pen on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4735-3000w.jpeg Concentric Garages, 2021 Marissa Lee Benedict and David Rueter, Concentric Garages, 2021, Pen on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4642-1920w.jpeg Mussels, 2020 Marissa Lee Benedict and David Rueter, Mussels, 2020, Oil pastel and EXPO marker on Rite in the Rain Paper, 8.5 x 10.5 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4738-3000w.jpeg Mussels, 2020 Marissa Lee Benedict and David Rueter, Mussels, 2020, Oil pastel and EXPO marker on Rite in the Rain Paper, 8.5 x 10.5 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4654-3000w.jpeg Delamination (Willamette Stone), 2021 Marissa Lee Benedict and David Rueter, Delamination (Willamette Stone), 2021, Pen on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4655-3000w.jpeg Logging Patent, 2021 Marissa Lee Benedict and David Rueter, Logging Patent, 2021, Wax pencil and oil on Rite in the Rain 2mm grid paper, 8.5 x11 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4656-1200w.jpeg Liquid management, 2020 Marissa Lee Benedict and David Rueter, Liquid management, 2020, Oil pastel and graphite on vellum, 12 x18 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4748-1920w.jpeg Liquid management, 2020 Marissa Lee Benedict and David Rueter, Liquid management, 2020, Oil pastel and graphite on vellum, 12 x18 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4657-3000w.jpeg Divider (Eileen Gray), 2021 Marissa Lee Benedict and David Rueter, Divider (Eileen Gray), 2021, Oil, wax pencil, graphite, and gesso on MDF panel, 9 x 12 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4659-3000w.jpeg Inverted Twittering Machine, 2020 Marissa Lee Benedict and David Rueter, Inverted Twittering Machine, 2020, Graphite, oil pastel, mounted carbon paper on Rite in the Rain paper, 8.5 x 11 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4661-1920w.jpeg Spiral Dust Collector, 2021 Marissa Lee Benedict and David Rueter, Spiral Dust Collector, 2021, Pen on vellum, 11 x 14 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4663-1200w.jpeg Brick Screens, Circulating and Stretching (Eileen Gray), 2021 Marissa Lee Benedict and David Rueter, Brick Screens, Circulating and Stretching (Eileen Gray), 2021, Pen, oil, acrylic, and graphite on Rite in the Rain cardstock and vellum, 11 x 17 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4664-1200w.jpeg Too, 2021 Marissa Lee Benedict and David Rueter, Too, 2021, Wash methylcellulose on PET paper mounted on MDF panel, 9 x 12 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4667-3000w.jpeg Delamination (Eugene, OR, US), 2021 Marissa Lee Benedict and David Rueter, Delamination (Eugene, OR, US), 2021, Pen on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4669-1200w.jpeg But does it scale?, 2021 Marissa Lee Benedict and David Rueter, But does it scale?, 2021, Pen on Rite in the Rain cardstock, mounted on MDF panel, 9 x 12 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4720-3000w.jpeg But does it scale?, 2021 Marissa Lee Benedict and David Rueter, But does it scale?, 2021, Pen on Rite in the Rain cardstock, mounted on MDF panel, 9 x 12 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4670-1200w.jpeg Out of Scope, 2020-2021 Marissa Lee Benedict and David Rueter, Out of Scope, 2020-2021, Oil pastel, EXPO marker, and graphite on Rite in the Rain paper, 8.5 x 11 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4672-3000w.jpeg Fortification Theory #1, 2021 Marissa Lee Benedict and David Rueter, Fortification Theory #1, 2021, Pen on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4778-3000w.jpeg Fortification Theory #1, 2021 Marissa Lee Benedict and David Rueter, Fortification Theory #1, 2021, Pen on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4674-3000w.jpeg Jackdaw Drowning, 2021 Marissa Lee Benedict and David Rueter, Jackdaw Drowning, 2021, Graphite, linseed oil, and pigment on PET paper, 8.5 x 11 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4676-1200w.jpeg Oblique Sextant, 2020 Marissa Lee Benedict and David Rueter, Oblique Sextant, 2020, Oil pastel and EXPO marker on Rite in the Rain paper, 19 x 23 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4679-1200w.jpeg Market Will Manage, 2020 Marissa Lee Benedict and David Rueter, Market Will Manage, 2020, Pen on vellum, 12 x 18 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4682-3000w.jpeg Foiled Again, 2021 Marissa Lee Benedict and David Rueter, Foiled Again, 2021, Aluminum foil, rabbit skin glue, 12 x 16 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4683-3000w.jpeg Fuck, 2019 Marissa Lee Benedict and David Rueter, Fuck, 2019, Graphite on vellum, 16.5 x 11.8125 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4691-3000w.jpeg Swiss Cheese, 2020-2021 Marissa Lee Benedict and David Rueter, Swiss Cheese, 2020-2021, Pen on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4692-3000w.jpeg Water Works, 2020 Marissa Lee Benedict and David Rueter, Water Works, 2020, Oil pastel, pen and watercolor pencil on Rite in the rain paper, 8.5 x 11 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4732-3000w.jpeg Water Works, 2020 Marissa Lee Benedict and David Rueter, Water Works, 2020, Oil pastel, pen and watercolor pencil on Rite in the rain paper, 8.5 x 11 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4688-3000w.jpeg Infinite Radiator , 2021 Marissa Lee Benedict and David Rueter, Infinite Radiator , 2021, Etched copper, 9 x 12 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4693-1200w.jpeg Index/Accident, 2021 Marissa Lee Benedict and David Rueter, Index/Accident, 2021, Pen and oil pastel on paper, 22 x 30 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4694-1200w.jpeg Blow Mold, 2021 Marissa Lee Benedict and David Rueter, Blow Mold, 2021, Wax pencil, graphite, oil pastel, oil on 2mm grid Rite in the Rain paper, 8.5 x 11 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4697-1200w.jpeg Something I Scrawled, 2021 Marissa Lee Benedict and David Rueter, Something I Scrawled, 2021, Pen on vellum, 11 x 17 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4698-3000w.jpeg Shellac, 2018 Marissa Lee Benedict and David Rueter, Shellac, 2018, Shellac and gouache on 1/4” isometric Rite in the Rain paper, 12 x 18 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4700-1200w.jpeg Chalked Oil, 2021 Marissa Lee Benedict and David Rueter, Chalked Oil, 2021, Linseed oil, calcium carbonate on vellum, 12 x18 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4702-3000w.jpeg MF, 2020 Marissa Lee Benedict and David Rueter, MF, 2020, Pen and oil pastel on vellum, 12 x 18 inches https://davidrueter.com/img/titles/a-line-a-mollusk/_DSC4706-3000w.jpeg Vertical Sextant, 2021 Marissa Lee Benedict and David Rueter, Vertical Sextant, 2021, Graphite, carbon paper, and oil pastel on Rite in the Rain paper, 19 x 23 inches https://davidrueter.com/titles/deposition/ 2021-08-24T00:00:00.000Z https://davidrueter.com/img/titles/deposition/deposition-Trading%20Floor%20in%20Session%20Chicago%20Board%20of%20Trade%2C%201900%20George%20R.%20Lawrence%2C%20Photographer-1200w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/img/titles/deposition/deposition-everton-10-3000w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/img/titles/deposition/deposition-everton-06-3000w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/img/titles/deposition/deposition_11.11.21_November%2011_MST%20occupation-_DSC1262-3000w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/img/titles/deposition/deposition_11.20.21_%20BNegao-FBSP96611_34BSP_211120_LF_603-original-3000w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/img/titles/deposition/deposition-Neo-Muyanga-3000w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/img/titles/deposition/deposition-9.7.21_roger%20bernat_veronica%20veloso_maurilo%20gaulish-FBSP84422_34BSP_210907_LF_132-original-3000w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/img/titles/deposition/deposition-PXL_20210520_145039045-3000w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/img/titles/deposition/deposition-packing-render-1920w.jpeg deposition / deposição, 2021 Marissa Lee Benedict, Daniel de Paula, and David Rueter, deposition / deposição, 2021, Installation https://davidrueter.com/titles/lamina/ 2021-09-20T00:00:00.000Z https://davidrueter.com/titles/lamina/lamina-vid/poster.jpg lâmina, 2021 Marissa Lee Benedict and David Rueter, lâmina, 2021, Single-channel video installation, 2:00 TRT, Commissioned for the São Paulo project space um trabalho um texto (one work one text), lâmina is a one-night video work – a singular gesture – exhibited in parallel with a text by curator João Paulo Quintella. Documenting two hands, tentatively, awkwardly, bringing two pieces of 0.7 mm pencil lead (graphite) close enough to spark an electric carbon arc — an early form of spark lighting used for projecting films — before burning out, the work tightly loops together the history of moving image and its means of production. This tight loop loosens over the course of the evening with a pile-up of strange and unexpected encounters: between the congenial atmosphere of the project space and the passing audience on the street; between the humming fan of a digital projector and the roar of traffic; between the loud squealing kisses of tiny graphite pencil lead rods, powered by a motorcycle battery, burning into light; and between the projected image of a beach at the mouth of a major colonial shipping channel, and the threshold of a garage door. The exhibition contract for lâmina dictates that this version of the video (not including documentation of the video in situ) will only be publicly shown once (from sunset 18:04:00 to midnight on 26 September 2020 R. Rocha, 386 - Bela Vista, São Paulo, 013300-000, Brazil). https://davidrueter.com/titles/lamina/lamina-vid/master.m3u8 https://davidrueter.com/img/titles/lamina/lamina_DSC5581-3000w.jpeg lâmina, 2021 Marissa Lee Benedict and David Rueter, lâmina, 2021, Single-channel video installation, 2:00 TRT, Commissioned for the São Paulo project space um trabalho um texto (one work one text), lâmina is a one-night video work – a singular gesture – exhibited in parallel with a text by curator João Paulo Quintella. Documenting two hands, tentatively, awkwardly, bringing two pieces of 0.7 mm pencil lead (graphite) close enough to spark an electric carbon arc — an early form of spark lighting used for projecting films — before burning out, the work tightly loops together the history of moving image and its means of production. This tight loop loosens over the course of the evening with a pile-up of strange and unexpected encounters: between the congenial atmosphere of the project space and the passing audience on the street; between the humming fan of a digital projector and the roar of traffic; between the loud squealing kisses of tiny graphite pencil lead rods, powered by a motorcycle battery, burning into light; and between the projected image of a beach at the mouth of a major colonial shipping channel, and the threshold of a garage door. The exhibition contract for lâmina dictates that this version of the video (not including documentation of the video in situ) will only be publicly shown once (from sunset 18:04:00 to midnight on 26 September 2020 R. Rocha, 386 - Bela Vista, São Paulo, 013300-000, Brazil). https://davidrueter.com/img/titles/lamina/IMG_4154-3000w.jpeg lâmina, 2021 Marissa Lee Benedict and David Rueter, lâmina, 2021, Single-channel video installation, 2:00 TRT, Commissioned for the São Paulo project space um trabalho um texto (one work one text), lâmina is a one-night video work – a singular gesture – exhibited in parallel with a text by curator João Paulo Quintella. Documenting two hands, tentatively, awkwardly, bringing two pieces of 0.7 mm pencil lead (graphite) close enough to spark an electric carbon arc — an early form of spark lighting used for projecting films — before burning out, the work tightly loops together the history of moving image and its means of production. This tight loop loosens over the course of the evening with a pile-up of strange and unexpected encounters: between the congenial atmosphere of the project space and the passing audience on the street; between the humming fan of a digital projector and the roar of traffic; between the loud squealing kisses of tiny graphite pencil lead rods, powered by a motorcycle battery, burning into light; and between the projected image of a beach at the mouth of a major colonial shipping channel, and the threshold of a garage door. The exhibition contract for lâmina dictates that this version of the video (not including documentation of the video in situ) will only be publicly shown once (from sunset 18:04:00 to midnight on 26 September 2020 R. Rocha, 386 - Bela Vista, São Paulo, 013300-000, Brazil). https://davidrueter.com/img/titles/lamina/IMG_4223-3000w.jpeg lâmina, 2021 Marissa Lee Benedict and David Rueter, lâmina, 2021, Single-channel video installation, 2:00 TRT, Commissioned for the São Paulo project space um trabalho um texto (one work one text), lâmina is a one-night video work – a singular gesture – exhibited in parallel with a text by curator João Paulo Quintella. Documenting two hands, tentatively, awkwardly, bringing two pieces of 0.7 mm pencil lead (graphite) close enough to spark an electric carbon arc — an early form of spark lighting used for projecting films — before burning out, the work tightly loops together the history of moving image and its means of production. This tight loop loosens over the course of the evening with a pile-up of strange and unexpected encounters: between the congenial atmosphere of the project space and the passing audience on the street; between the humming fan of a digital projector and the roar of traffic; between the loud squealing kisses of tiny graphite pencil lead rods, powered by a motorcycle battery, burning into light; and between the projected image of a beach at the mouth of a major colonial shipping channel, and the threshold of a garage door. The exhibition contract for lâmina dictates that this version of the video (not including documentation of the video in situ) will only be publicly shown once (from sunset 18:04:00 to midnight on 26 September 2020 R. Rocha, 386 - Bela Vista, São Paulo, 013300-000, Brazil). https://davidrueter.com/img/titles/lamina/lamina-cu-1920w.jpeg lâmina, 2021 Marissa Lee Benedict and David Rueter, lâmina, 2021, Single-channel video installation, 2:00 TRT, Commissioned for the São Paulo project space um trabalho um texto (one work one text), lâmina is a one-night video work – a singular gesture – exhibited in parallel with a text by curator João Paulo Quintella. Documenting two hands, tentatively, awkwardly, bringing two pieces of 0.7 mm pencil lead (graphite) close enough to spark an electric carbon arc — an early form of spark lighting used for projecting films — before burning out, the work tightly loops together the history of moving image and its means of production. This tight loop loosens over the course of the evening with a pile-up of strange and unexpected encounters: between the congenial atmosphere of the project space and the passing audience on the street; between the humming fan of a digital projector and the roar of traffic; between the loud squealing kisses of tiny graphite pencil lead rods, powered by a motorcycle battery, burning into light; and between the projected image of a beach at the mouth of a major colonial shipping channel, and the threshold of a garage door. The exhibition contract for lâmina dictates that this version of the video (not including documentation of the video in situ) will only be publicly shown once (from sunset 18:04:00 to midnight on 26 September 2020 R. Rocha, 386 - Bela Vista, São Paulo, 013300-000, Brazil). https://davidrueter.com/img/titles/lamina/inside-3000w.jpeg lâmina, 2021 Marissa Lee Benedict and David Rueter, lâmina, 2021, Single-channel video installation, 2:00 TRT, Commissioned for the São Paulo project space um trabalho um texto (one work one text), lâmina is a one-night video work – a singular gesture – exhibited in parallel with a text by curator João Paulo Quintella. Documenting two hands, tentatively, awkwardly, bringing two pieces of 0.7 mm pencil lead (graphite) close enough to spark an electric carbon arc — an early form of spark lighting used for projecting films — before burning out, the work tightly loops together the history of moving image and its means of production. This tight loop loosens over the course of the evening with a pile-up of strange and unexpected encounters: between the congenial atmosphere of the project space and the passing audience on the street; between the humming fan of a digital projector and the roar of traffic; between the loud squealing kisses of tiny graphite pencil lead rods, powered by a motorcycle battery, burning into light; and between the projected image of a beach at the mouth of a major colonial shipping channel, and the threshold of a garage door. The exhibition contract for lâmina dictates that this version of the video (not including documentation of the video in situ) will only be publicly shown once (from sunset 18:04:00 to midnight on 26 September 2020 R. Rocha, 386 - Bela Vista, São Paulo, 013300-000, Brazil). https://davidrueter.com/img/titles/lamina/IMG_4090-3000w.jpeg lâmina, 2021 Marissa Lee Benedict and David Rueter, lâmina, 2021, Single-channel video installation, 2:00 TRT, Commissioned for the São Paulo project space um trabalho um texto (one work one text), lâmina is a one-night video work – a singular gesture – exhibited in parallel with a text by curator João Paulo Quintella. Documenting two hands, tentatively, awkwardly, bringing two pieces of 0.7 mm pencil lead (graphite) close enough to spark an electric carbon arc — an early form of spark lighting used for projecting films — before burning out, the work tightly loops together the history of moving image and its means of production. This tight loop loosens over the course of the evening with a pile-up of strange and unexpected encounters: between the congenial atmosphere of the project space and the passing audience on the street; between the humming fan of a digital projector and the roar of traffic; between the loud squealing kisses of tiny graphite pencil lead rods, powered by a motorcycle battery, burning into light; and between the projected image of a beach at the mouth of a major colonial shipping channel, and the threshold of a garage door. The exhibition contract for lâmina dictates that this version of the video (not including documentation of the video in situ) will only be publicly shown once (from sunset 18:04:00 to midnight on 26 September 2020 R. Rocha, 386 - Bela Vista, São Paulo, 013300-000, Brazil). https://davidrueter.com/img/titles/lamina/IMG_4081-3000w.jpeg lâmina, 2021 Marissa Lee Benedict and David Rueter, lâmina, 2021, Single-channel video installation, 2:00 TRT, Commissioned for the São Paulo project space um trabalho um texto (one work one text), lâmina is a one-night video work – a singular gesture – exhibited in parallel with a text by curator João Paulo Quintella. Documenting two hands, tentatively, awkwardly, bringing two pieces of 0.7 mm pencil lead (graphite) close enough to spark an electric carbon arc — an early form of spark lighting used for projecting films — before burning out, the work tightly loops together the history of moving image and its means of production. This tight loop loosens over the course of the evening with a pile-up of strange and unexpected encounters: between the congenial atmosphere of the project space and the passing audience on the street; between the humming fan of a digital projector and the roar of traffic; between the loud squealing kisses of tiny graphite pencil lead rods, powered by a motorcycle battery, burning into light; and between the projected image of a beach at the mouth of a major colonial shipping channel, and the threshold of a garage door. The exhibition contract for lâmina dictates that this version of the video (not including documentation of the video in situ) will only be publicly shown once (from sunset 18:04:00 to midnight on 26 September 2020 R. Rocha, 386 - Bela Vista, São Paulo, 013300-000, Brazil). https://davidrueter.com/titles/under-cover-of-a-solid-object/ 2022-09-01T00:00:00.000Z https://davidrueter.com/img/titles/under-cover-of-a-solid-object/under-cover-of-a-solid-object-IMG_8660-3000w.jpeg under cover of a solid object, 2022 Marissa Lee Benedict, Daniel de Paula, and David Rueter, under cover of a solid object, 2022, Relief in floor wax, excerpt from the artists’ contract for the work deposition (2021), debris removed from ventilation ducts under the Chicago Board of Trade’s former corn futures trading floor, gelatin silver print (circa 1974, photographer unknown; Special Collections and University Archives, University of Illinois, Chicago)., In 2018, Rueter, Benedict, and de Paula acquired a used trading pit from the Chicago Board of Trade, now obsolete as trading goes digital. A huge octagon with seven tiered levels where traders bought and sold corn futures, the pit itself has since traveled to Sao Paolo and back to Chicago. Here it appears only as an outline at full scale, a ghost of itself that questions what can be distilled from a thing’s remnants. A pair of documents and a photograph appear like footnotes above the floor and in the opposite corner of the gallery. https://davidrueter.com/img/titles/under-cover-of-a-solid-object/under-cover-of-a-solid-object-2-3000w.jpeg under cover of a solid object, 2022 Marissa Lee Benedict, Daniel de Paula, and David Rueter, under cover of a solid object, 2022, Relief in floor wax, excerpt from the artists’ contract for the work deposition (2021), debris removed from ventilation ducts under the Chicago Board of Trade’s former corn futures trading floor, gelatin silver print (circa 1974, photographer unknown; Special Collections and University Archives, University of Illinois, Chicago)., In 2018, Rueter, Benedict, and de Paula acquired a used trading pit from the Chicago Board of Trade, now obsolete as trading goes digital. A huge octagon with seven tiered levels where traders bought and sold corn futures, the pit itself has since traveled to Sao Paolo and back to Chicago. Here it appears only as an outline at full scale, a ghost of itself that questions what can be distilled from a thing’s remnants. A pair of documents and a photograph appear like footnotes above the floor and in the opposite corner of the gallery. https://davidrueter.com/img/titles/under-cover-of-a-solid-object/IMG_8691-1920w.jpeg under cover of a solid object, 2022 Marissa Lee Benedict, Daniel de Paula, and David Rueter, under cover of a solid object, 2022, Relief in floor wax, excerpt from the artists’ contract for the work deposition (2021), debris removed from ventilation ducts under the Chicago Board of Trade’s former corn futures trading floor, gelatin silver print (circa 1974, photographer unknown; Special Collections and University Archives, University of Illinois, Chicago)., In 2018, Rueter, Benedict, and de Paula acquired a used trading pit from the Chicago Board of Trade, now obsolete as trading goes digital. A huge octagon with seven tiered levels where traders bought and sold corn futures, the pit itself has since traveled to Sao Paolo and back to Chicago. Here it appears only as an outline at full scale, a ghost of itself that questions what can be distilled from a thing’s remnants. A pair of documents and a photograph appear like footnotes above the floor and in the opposite corner of the gallery. https://davidrueter.com/img/titles/under-cover-of-a-solid-object/under-cover-of-a-solid-object-3-3000w.jpeg under cover of a solid object, 2022 Marissa Lee Benedict, Daniel de Paula, and David Rueter, under cover of a solid object, 2022, Relief in floor wax, excerpt from the artists’ contract for the work deposition (2021), debris removed from ventilation ducts under the Chicago Board of Trade’s former corn futures trading floor, gelatin silver print (circa 1974, photographer unknown; Special Collections and University Archives, University of Illinois, Chicago)., In 2018, Rueter, Benedict, and de Paula acquired a used trading pit from the Chicago Board of Trade, now obsolete as trading goes digital. A huge octagon with seven tiered levels where traders bought and sold corn futures, the pit itself has since traveled to Sao Paolo and back to Chicago. Here it appears only as an outline at full scale, a ghost of itself that questions what can be distilled from a thing’s remnants. A pair of documents and a photograph appear like footnotes above the floor and in the opposite corner of the gallery. https://davidrueter.com/img/titles/under-cover-of-a-solid-object/DSC03031-3000w.jpeg under cover of a solid object, 2022 Marissa Lee Benedict, Daniel de Paula, and David Rueter, under cover of a solid object, 2022, Relief in floor wax, excerpt from the artists’ contract for the work deposition (2021), debris removed from ventilation ducts under the Chicago Board of Trade’s former corn futures trading floor, gelatin silver print (circa 1974, photographer unknown; Special Collections and University Archives, University of Illinois, Chicago)., In 2018, Rueter, Benedict, and de Paula acquired a used trading pit from the Chicago Board of Trade, now obsolete as trading goes digital. A huge octagon with seven tiered levels where traders bought and sold corn futures, the pit itself has since traveled to Sao Paolo and back to Chicago. Here it appears only as an outline at full scale, a ghost of itself that questions what can be distilled from a thing’s remnants. A pair of documents and a photograph appear like footnotes above the floor and in the opposite corner of the gallery. https://davidrueter.com/titles/a-conversation-between-machines/ 2023-01-25T00:00:00.000Z https://davidrueter.com/titles/a-conversation-between-machines/conversation/poster.jpg a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023 Marissa Lee Benedict and David Rueter, a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023, Wooden shelf, receipt printer, thermal paper, wiring and conduit, custom software, annotated text file containing Stéphane Mallarmé's poem "Un coup de dés jamais n'abolira le hasard," Large Language Model (LLM) cloud service account, single-board computer. https://davidrueter.com/titles/a-conversation-between-machines/conversation/master.m3u8 https://davidrueter.com/img/titles/a-conversation-between-machines/_DSC5635-2-3000w.jpeg a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023 Marissa Lee Benedict and David Rueter, a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023, Wooden shelf, receipt printer, thermal paper, wiring and conduit, custom software, annotated text file containing Stéphane Mallarmé's poem "Un coup de dés jamais n'abolira le hasard," Large Language Model (LLM) cloud service account, single-board computer. https://davidrueter.com/img/titles/a-conversation-between-machines/_DSC5658-1920w.jpeg a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023 Marissa Lee Benedict and David Rueter, a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023, Wooden shelf, receipt printer, thermal paper, wiring and conduit, custom software, annotated text file containing Stéphane Mallarmé's poem "Un coup de dés jamais n'abolira le hasard," Large Language Model (LLM) cloud service account, single-board computer. https://davidrueter.com/img/titles/a-conversation-between-machines/_DSC5684-3000w.jpeg a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023 Marissa Lee Benedict and David Rueter, a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023, Wooden shelf, receipt printer, thermal paper, wiring and conduit, custom software, annotated text file containing Stéphane Mallarmé's poem "Un coup de dés jamais n'abolira le hasard," Large Language Model (LLM) cloud service account, single-board computer. https://davidrueter.com/img/titles/a-conversation-between-machines/_DSC5667-3-3000w.jpeg a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023 Marissa Lee Benedict and David Rueter, a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023, Wooden shelf, receipt printer, thermal paper, wiring and conduit, custom software, annotated text file containing Stéphane Mallarmé's poem "Un coup de dés jamais n'abolira le hasard," Large Language Model (LLM) cloud service account, single-board computer. https://davidrueter.com/img/titles/a-conversation-between-machines/_DSC5663-3000w.jpeg a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023 Marissa Lee Benedict and David Rueter, a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023, Wooden shelf, receipt printer, thermal paper, wiring and conduit, custom software, annotated text file containing Stéphane Mallarmé's poem "Un coup de dés jamais n'abolira le hasard," Large Language Model (LLM) cloud service account, single-board computer. https://davidrueter.com/img/titles/a-conversation-between-machines/_DSC5678-2-3000w.jpeg a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023 Marissa Lee Benedict and David Rueter, a conversation between machines about Mallarmé (regarding the state of the gallery lights), 2023, Wooden shelf, receipt printer, thermal paper, wiring and conduit, custom software, annotated text file containing Stéphane Mallarmé's poem "Un coup de dés jamais n'abolira le hasard," Large Language Model (LLM) cloud service account, single-board computer. https://davidrueter.com/titles/metrica/ 2023-04-01T00:00:00.000Z https://davidrueter.com/titles/metrica/metrika-vid/poster.jpg , https://davidrueter.com/titles/metrica/metrika-vid/master.m3u8 https://davidrueter.com/img/titles/metrica/overview-3000w.jpeg , https://davidrueter.com/img/titles/metrica/receipt1-3000w.jpeg , https://davidrueter.com/img/titles/metrica/receipt2-3000w.jpeg , https://davidrueter.com/img/titles/metrica/receipt3-3000w.jpeg , https://davidrueter.com/img/titles/metrica/install1-3000w.jpeg , https://davidrueter.com/img/titles/metrica/install2-3000w.jpeg , https://davidrueter.com/img/titles/metrica/install3-3000w.jpeg , https://davidrueter.com/img/titles/metrica/cellar_vault-3000w.jpeg , https://davidrueter.com/README/ 2025-01-15T22:33:51.763Z https://davidrueter.com/about/ 2025-01-15T22:33:51.763Z https://davidrueter.com/ 2025-01-15T22:33:51.855Z